Today is April 25, 2016. Exactly one year ago I was driving to Montreal when PBS broke the news of the massive 7.8 magnitude earthquake that had ripped through the Kathmandu Valley, devastating hundreds of thousands of people, deeply affecting the lives of many people I know and love. Villages were flattened. World heritage sites crumbled. The earthquake triggered the deadliest avalanche in Mt. Everest’s history. An equally forceful aftershock further crippled the nation just two weeks later. Nepal has never been in the world’s focus as much as in those several weeks in 2015. One year later, America is in the throws of an election year, refugees flee Syria, both Japan and Ecuador also face their own post-quake triage. It’s pretty messy everywhere.

So what about Nepal?

Shortly after last year’s quakes, we went to Nepal to check on our teams and do what we could to help. And while devastating, relief was pouring in. Hundreds of palettes of food and supplies covered the airport tarmac. Millions of dollars were pledged. There were hopeful signs that things were going to change for this tiny country in the shadow of the Himalayas. Perhaps, because of this awful catastrophe? Besides, the “hands-on” attitude of Nepalis, the world was paying attention and because of that, there would be an accountable use of funds, and this could actually help kick-start a mostly failed economy. Right?

This was my hope as I returned to Nepal in March of this year.

While we found selective restoration underway with a few less tent villages scattered about, Nepal was essentially the same as it was before the quakes. The reality is that Nepal is a mostly unchanging place. For all the smartphones and fluorescent lights, it, if anything is a country standing still, and maybe even sliding backwards.

I don’t write this with condemnation. Sure with frustration, but this is a fact I have come to acknowledge as “normal” for Nepal. It is a country held hostage by a government intent on keeping it from moving forward. And so it stays put. It doesn’t matter that it has been catastrophically jolted or halted by fuel blockades. Its people are flagrantly denied aid even though piles of money are continually infused into the country. With a corrupt government, no one is held accountable.

So, no, things haven’t changed. If anything, things might actually be worse.

But, MULXIPLY is not in the business of complaining about systematic issues that we’re mostly incapable of speaking to. We are artists, not politicians or humanitarians. Plus, nothing gets accomplished by griping. The truth is, Nepal requires a legitimate revolution in every sense of the word. Of the people, by the people, for the people. Full stop. So do we jump ship and wait for that to happen, meanwhile working somewhere more developed, less challenging?

No, because the revolution has already started. And it’s based on something really unlikely.


Let me explain. Societies thrive when people feel secure. People feel secure when their basic needs are met and are provided (or create) opportunities that are dignified, gainful, and life-giving. Opportunities as such are scarce in Nepal. Less than half the population are educated. Those with higher education, often leave the country. Understandably, few return. But, those that have stayed in-country or have returned and are investing in grassroots, long-term ideas, are quietly rebuilding Nepal from the inside out—with creativity, diligence and determination. While none of them are politicians, they are the makers of change. They are the leaders of the quiet revolution. And their energy is intense and contagious.

How is beauty revolutionary? Because beauty is inspirational, it has staying power. What motivates people to come to Nepal? Besides the Himalayas, tourists come to see the ancient temples, palaces and monasteries built exquisitely by artisans that are masters of their craft. Without artists, there is no art, no heritage sites, no tourist attractions. Simply put, when beauty is tangibly translated into art, design and architecture it becomes a quantifiable business that creates jobs. Jobs that employ artisans. Jobs that are contributing to stabilizing the local and global economy. It’s slow capitalism in action. And it’s working.

Artisans in Nepal were and sometimes still are considered low-rung vocations. Since our first visit in 2010, we see how this however is changing. Each year we meet visionaries who are elevating both art and artisan by creating innovative solutions that shift how Nepalis value art, therefore pulling global attention to the artistic potential in this country and elevating art as a vocation. We meet Nepalis from all generations who are investing in the arts, by creating successful businesses that are training artisans to apply age-old techniques to produce contemporary designs in partnership with designers from all over the world. We meet architects who are creating modern yet authentic Newari guesthouses, restaurants and galleries. We meet young creatives who are collaborating with each other by developing spaces for making art, music and really good coffee. There is a whole new guard it seems that are slowly, yet noticeably reshaping a city that’s become a dusty, polluted mess. And on first view, it still is. But deep within, there is change. And in part, it’s the artists who are at work.

As a design-focused social enterprise, MULXIPLY champions this movement. Every one of our teams is led by a Nepali citizen who lives and breathes this model of change. When we are in Nepal, we spend hours alongside our teams, working shoulder-to-shoulder with hardworking people who love their country deeply. They understand its soul, its problems and its history more than we ever will. We learn from them. We are inspired by them. They call themselves artisans. We call them revolutionaries.

We can’t change the past. We can learn from it and remember it. We can live each day so that the future looks bright and the past is worth remembering. So today, April 25, 2016, one year after a cataclysmic event changed the lives of a nation, we can see that Nepal is very much on the brink. Yes, from a political, environmental and humanitarian standpoint, Nepal is nearly in ruins. But as a designer, working with artisans, we see beauty in the ashes. We see a Nepal rising slowly from within.

Reblogged from Sudara’s interview found here.


For most of my life, Nepal was a mysterious place on a spinning globe. It became real to me when I went with Sudara (then known as, International Princess™ Project) to India in 2005. We were visiting a group of IPP seamstresses outside of Mumbai where I met several women who had been rescued after being trafficked from Nepal. Prior to that, I had no idea that Nepal was a “feeder” country into the sex-industry in India. It was then that I learned of the huge crime rings that send pimps up to remote Himalayan villages to prey on uneducated women and girls. Having spent their lives in the mountains, away from society, they are innocent and, therefore, ignorant to these schemes and fall victim to men offering them “good jobs in far away places”. It’s the same story everywhere.

Fast forward five years, I quit my job as an art director for a fashion company and decided to take a self-given “sabbatical” to do intensive research on the pandemic of human trafficking in South/Southeast Asia. I spent two months in India and Bangladesh visiting organizations that were doing intervention and rehabilitation with victims and survivors of human trafficking. Those two months left my heart broken and my head spinning.

Nepal was next on my itinerary and all I can say is that when I landed in Nepal after those two months, it was like taking a giant breath of fresh air. Nepal, like India, is a full-assault on the senses, yet on a micro-scale or maybe everything seems micro in the shadows of the Himalayas. Nepal has far less economic infusion than its giant neighbors India and China, which makes it desperately poor, yet somehow the people seem less fraught with desperation. They say the Nepali people are “smiley”, maybe that was part of why I fell in love with the country. The people are friendly, with generous spirits even in the face of unthinkable hardship. They don’t feel sorry for themselves, they have an incredible love for their country and they are not afraid of hard work.

[pictured above, Tanja with Sunita, our design partner and Srishti who is our artisan liasion]

Sometimes I think Nepal picked me. I can’t explain it. But from day one, it was a place where meaningful relationships were built and organizations opened their doors to me to show me “hope” first hand. 

met so many people that were innovative when it came to prevention, rescue and restoration. Plus, Nepal like many Asian countries has a deep history in handicraft. I was smitten by the curious alleys full of trinkets and market-ware. As an artist myself, I couldn’t help but think of things to make with all the raw materials around me.

When we started this business in 2012, Nepal seemed like the logical place to start based on the relationships I’d formed. And, it also was a scale that seemed approachable. As we’ve broadened our work there, I am ever more committed to helping stabilize the economy in Nepal by creating dignified jobs. Employment and education are the most effective tools in preventing human trafficking. Full stop.



I currently wear all the hats. And, let me just say, that I don’t wear them all well. Because there is so much that I do not know, I either learn by asking, doing or failing. I’m a graphic designer by trade so I naturally focus on the creative aspects of this business—the product design, sourcing, and branding. The heart of this company is job creation and all the jobs we are creating are creative. But a lot of the day-to-day tasks here in the states—the selling, the fulfilling, the future-thinking, well it’s a whole lot of grit and even more grace. And really smart friends who are generous with their skills.



I love that you noticed that because that’s how we want our pieces to be perceived. There are a lot of fair-trade companies that have a sort of “hippie” look to them, which is fine for some people, but you alienate a market of people who want to buy a modern-looking piece that’s fairly made. My personal style is a more modern, minimal take with a little “wink” thrown into the mix. I tend to buy things that I’ll like for years to come, so I approach design with that same vision for sustainability. I also want our things to be accessible for people, so if you keep it simple, chances are you’ll hit a larger market.

The second part of that answer is that I am inspired by my surroundings. My studio is based in Portland, Maine, which may not be as breathtaking as the Himalayas, but boy is it pretty and I am inspired by beauty. Our latest collection was a bit inspired by the woods and waters that are prevalent in Maine. It’s a place that celebrates the authentic, so I think our pieces have that same honest approach.

And naturally, I’m inspired by all that’s possible in Nepal. Anything is possible there, (but not everything should be). So, everything I design is made with the understanding that quality raw materials have limited availability in Nepal. And, consistent craftsmanship has to be worked hard to attain. It’s a constant challenge. Keeping our designs clean and simple definitely works in our favor.



I was there for the month of June. I was really anxious about that trip because the ground was and still is shaking. Everyone was affected. Many of the artisans lost their homes and were sleeping outside for fear of being crushed by already crumbling surroundings. The trauma is real and continues to be. It was interesting though, by the time we arrived, we could feel that people had grown weary of talking about the earthquake, they wanted to return to “normal” so they were very anxious to get back to work because it made them feel normal. One of my favorite moments was when we were working with our textile team, one of the artisans was quietly making small felt hearts. Through an interpreter, we asked her how she was doing. She said, “Even though the earthquake has shaken my heart, I still find happiness in making these small hearts.”



This collaboration is very meaningful for me. Your founder (and my bestie), Shannon Keith is the reason I even know about human trafficking. She invited me to go to India back in 2005 and it changed the course of my life. So because of that, ten crazy years later, MULXIPLY is creating jobs in Nepal to eliminate the exploitation of at-risk people that could end up trafficked to India—it’s full circle and incredibly redemptive. And it feels like such a victory for both Nepal and India. It may be small, but it’s mighty.

Part of our mission is to partner with artisans and indigenous organizations. They know the plight of their people far more than we ever will. And, they are committed to being catalysts of change. The problem is that without the infusion of outside projects, they are not sustainable, nor can they grow. We don’t want to reinvent the wheel, we simply want to increase its momentum. If we create more projects, they can employ more people. We currently work with 4 groups of artisans in Nepal and we are committed to increasing that number. Creating dignified jobs stabilizes economies and keeps communities together and thriving. It also keeps heritage handicraft alive which Nepalis are very proud of. But at the end of the day, for us, it’s about the people. We can’t change the whole world, but we can help make their lives better.



Something that came to light on this last trip to Nepal was the need to employ men as well. Our business started with the mission to employ women since they are most at risk for being trafficked into sexual slavery.

There is however another form of slavery that is happening in Nepal (and in many poor countries) that is undermining societies in extremely dangerous ways. In the last few years, over two million young Nepalese men have left the country to work for “man-power” companies in places like Saudi Arabia.

They are tricked or pressured into taking what appear to be “good construction jobs” but end up being indentured slaves. Many of these men are away from their families for months at a time, some of them return only in caskets. It’s devastating that entire cities are being built on the bones of these men. The damage is far-reaching. Back in Nepal, entire villages have seen the population dwindle to nothing but women, children and old men. Societies are undermined and suddenly women and children are far more at-risk than they were before.

Learning of this issue, spurred us to figure out ways to create projects that would employ men as well. Our entire jewelry collection is made by a group of metal-workers. All of them are young men.


Pictured below are the finished products from our collaboration with MULXIPLY. Click image to view/purchase the item in our online store.

Our mission is to stabilize economies in the developing world through creating dignified jobs by investing in indigenous, artisanal businesses who collaborate to produce our contemporary designs via age-old techniques. In doing so, we are keeping heritage handicraft alive and providing local employment in societies where those with little or no education are at risk of being trafficked to other countries or enslaved in migrant worker schemes abroad.

We partner with people and organizations that mirror this mission because they love and understand their country far more than we ever can. We consider it an honor to work alongside these teams. We are humbled by their expertise and willingness to take on our projects.


The Association for Craft Producers Nepal (ACP):


Founded in 1984 with just 38 producers, ACP now employs over 1,200 artisans, of which 90% are female. ACP recognizes the need for female employment in both rural and urban settings, providing opportunity for both. Situated at the foot of the Himalayas, ACP also recognizes the exquisite beauty of their country and as stated on their website, “takes careful and deliberate steps to preserve our environment”.

The current Executive Director, Meera Bhattaraihas nurtured the growth of ACP for over ten years placing it at the forefront of the Fair Trade movement in Nepal. She understands the plight, particularly of women in Nepal and fosters an environment of “future-thinking”. In addition to a fair wage, each employee is provided with an interest bearing retirement fund, a monthly stipend for employees who keep their children in school for 4 consecutive years, a medical allowance, and a Producer’s Alliance which protects and encourages knowledge of employee rights. Most of these benefits are not the norm in the developing world and certainly not a right.

Since our launch in 2012, we have worked tirelessly with ACP. They produced our original felt + leather collection, our canvas + leather collection and our forthcoming leather accessories.

Yala Mandala:


We took a wrong turn down an alley in Patan’s Durbar Square and wandered in to the surprising studio and passion project of Pravin Chitrakar. A true visionary, our journey with Pravin and his team of artisans has been nothing but rewarding. His commitment to keeping Nepali handicraft alive and thriving is so contagious, you can’t help but intentionally design projects for his team to create. He understands Nepal more than anyone I have met in this process. He loves his country with such dedication, you know he’s in it for the long haul.

Pravin is an artist first. Therefore, his outlook on the world around him is largely aesthetic. He doesn’t see an old house falling in on itself. No, he sees an opportunity to construct a creative space for artisans to display and sell their work. Instead of building a factory, he found a space with a garden in the middle so his metal workers could work in an airy space with ventilation and sunshine. He’s built an expansive atelier which includes: metalsmithing, weaving and paper making. He understand without a doubt that in order for Nepali handicraft to stay alive, it must adapt to the market, which therefore makes working with him and his team a collaborative dream.

Featured in the photos above is Mahendra. We love his story because is represents innovation, hope and risk. He was working as the security guard for Pravin’s studio. One day when they were chatting, Pravin asked him what he’d want to do if you could anything. Turns out, he really wanted to learn the art of metalsmithing. We wanted to make jewelry. So, Pravin took a chance on him and now he is one of Yala’s finest artisans. He made our samples, which were and are exquisite. We also love that Pravin named his sister his Chief Financial Officer. Julia, pictured top right is a calm yet driving force in the business. Both brilliant and gracious, she is a part of what makes Yala Mandala mission so successful. She is also a major advocate for the women’s equality movement in Nepal.

Yala Mandala produced our entire jewelry collection as well as our gift boxes.

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Making something is always a process. It’s different for everyone and everything, particularly when you choose to make your things in far-away places like Nepal.

Our design process is a collaborative experience that evolves over conversations about what we like, what we see trending in the marketplace and what can actually be made in Nepal. We sketch ideas, play with patterns, send emails, sew samples and source hardware. We often hand-carry or ship our hardware to Nepal as it is difficult to find quality hardware there. Rome Fastener in Connecticut has been a great help to us. We love that they are a long-time Made in the USA, family-run business and take the time to work with the small guys like us. Our newest partners Yala Mandala, based in Nepal are exploring hand-forged hardware with us. It is our hope that at some point every element of our pieces will be made in Nepal.

We plan our trips to Nepal based on market deadlines. Things take time in Nepal so we build our delivery schedules knowing this. Full production once samples are approved takes anywhere from 2-4 months. It’s imperative to spend time with our artisans in the development process — it’s essentially our reason for being. Currently we are there for 4-8 weeks a year, but it never seems like long enough. the time spent with our teams is focused on getting our samples to a place that we are confident that they will be carried through full production. It’s always hard to leave. Despite the endless turmoil in Nepal, it is an incredibly hospitable country that takes you in and treats you like its own.

We currently work with four different groups in the Kathmandu Valley. Our time on the ground is split between meetings, spending time with artisans, working on samples, sourcing natural materials and researching new ideas. Each year, we are thrilled to meet more like-minded individuals who are not only creating dignified jobs for the Nepali people, but honoring their heritage and keeping age-old handicraft alive. Plus, exploring in the valley and villages is an endless source of inspiration. You never know what you will find. We met Yala Mandala our jewelry partners by taking a wrong turn down an alley.

Our favorite part of this venture is ultimately meeting the artisans, learning about their lives and working alongside them. It’s so very different from our daily lives, it’s both humbling and inspiring to hear about what they must overcome on a daily basis. They know so much more about how things can be done than we do. Being knee-deep in their creative process is a joy that there really are no words for.

We are reminded when we face challenges in our production or quality issues, that these are all part of the process. Life is hard in Nepal, and working there is no exception. Recently two massive earthquakes shook this already fragile country to its core. Nepal will be rebuilding for years to come. As a result of this, we are even more committed to investing in our current partners, seeking stability and continued growth for them. They persevere. We persevere. And it’s in the midst of this bustling creative process where beauty is created and lives are changed.

As stated above, collaboration is the name of the game for us. MULXIPLY wouldn’t exist without Nepal and it wouldn’t exist without YOU. Every single piece that makes its way to our website, to your shop, and to your hands, brings with it a story. Thank you for being part of it.

Why Nepal? That’s a great question.

There are approximately 28 million people living in Nepal.
Half of the population live below the poverty line,
earning less that $1.25 per day.
Only half of its citizens can read: only 35% of the literate are women. 

Employment rates hover around 50%.
Millions of men continue to leave the country as migrant workers in the Middle East,
leaving women and children vulnerable to human traffickers.

Most of Nepal lives in the country or mountain regions. They are historically a “village” society, heavily dependent on agriculture, which provides sustenance and perhaps a small income to their families. Most Nepalis live in remote and hard-to-reach regions, where it can take two or three days on foot via mountain paths just to reach public transport. There is very little developed infrastructure outside of Nepal’s few big cities.

Only 17% of the Nepalese population live in urban centers, a statistic which increases yearly due to people seeking opportunities outside their village, particularly the younger generations. This rapid urbanization results in high levels of poverty because cities like Kathmandu cannot economically accommodate for the influx. Unemployment coupled with global inflation continues to widen the gap between “the have” and the “have nots”. The poor strive to put food on their table leaving little or nothing left to acquire “basic” services such as healthcare and education. That’s half of the population of Nepal.

Nepal’s recent civil war and continued political instability unleashed well-documented human rights abuses, including sexual violence against women, forced abortions to decrease the number of female children, female infanticide, and trafficking of women into prostitution. Even now, after the end of the civil war, there are more than 118 legal provisions as well as customs, rituals, and practices that directly discriminate against Nepalese women. Child marriage and child labor are a continuing problem, as is human trafficking, particularly after the two recent earthquakes. Educational differences also contribute to the low status of women—only 35% of Nepalese women are considered literate compared to 63% of men.

We have recently shifted our focus to a more all-encompassing view of the Nepali economy. While spending time in Nepal, we have come to learn about the massive movement of young Nepali men leaving the country seeking employment elsewhere. For more information, read this article in the New York Times. There are very few jobs for young men who have minimal education. As a result large “manpower” firms from outside the country prey on these willing young men, essentially tricking them in to indentured servitude in places like Saudi Arabia. While it may provide a salary, this is a scheme that takes men away from their families for months at a time, hijacks their passports and convinces them that their meager salary is worth the trade. Just like the fast-fashion garment industry, wealthy opportunists are building fake empires on the bones of the poor. With this understanding, MULXIPLY has broadened its mission to providing dignified work for men and women alike. A successful society cannot be built without equal opportunity and respect for both.

Preventative solutions including vocational opportunities are helping to lift Nepal out of poverty. There is however a great need for more opportunity! Nepal is a country rich with resources and hard-working people. It is an opportune environment to create a business or partner with existing businesses that need projects to sustain and expand their reach in providing gainful employment. Beauty is intrinsic to this country, not only in its proximity to the expansive Himalayas, but with its heritage of woven textiles, metalwork and wood-carving. While it is heart-breaking to see the fall-out corruption has reaped on this country, it is also in places like Nepal where hope and possibility are far-reaching.

And that is why GIVEGIVE chose Nepal to launch MULXIPLY.

All statistics from CIA World Factbook


Wandering through the markets in Kathmandu, you can’t help but notice there’s something going on with felt in Nepal. Shoes, hats, bags, toys, you name it. Why? Well, come to find out:

Felt is the oldest man-made textile known, predating knit and woven cloth; in fact, archaeologists have found fragments of felt in Asia dating back to the Bronze Age. It is made by wetting layers of wool with soap and water and agitating the fibers so that they form a dense fabric. This can then be stretched into all sorts of items, including shoes, socks, bags, coats, and even shelters. Today, the art of felting is mainly found in the “Felt Belt,” which runs through Central Asia, and is a particular specialty of Nepal. (Global Good Partners)

When we first started talking about products and countries, I shared this anecdote with Annalisa and it stuck in her creative brain. Soon she was buying yards of felt, shopping for leather and beautiful hardware, sewing, re-sewing, etc. Fast forward a couple months—voilá, we had 3 prototypes designed and 2 tickets to Nepal.

It wasn’t until we were visiting our partners, Associated Craft Producers of Nepal that we really understood the process of making felt.

So here we go:

You start with wool: sheep, yak, alpaca. Years before Nepal became a sought-after destination for mountaineers, it was composed primarily of nomads, shepherds and farmers. In the north as the elevation increases dramatically towards the Himalayas, it gets cold. Before there were fancy North Face jackets and tents, alas, there was wool from your own animals. And that’s how it started. Now, most of the wool used for modern-day felting is imported from New Zealand. As felting has become a profitable business (not just a utilized by-product), buying wool versus shearing your own livestock has become a necessary step.

Raw wool is first dyed to create uniform color consistency. While many colors can be created, it is the actual felting process that “makes” the color. For instance, we wanted a dark heather grey, so 3 different color wools were mixed in the felting process to create our custom grey. The wool is boiled with the dye in giant vats. Because it is so fibrous, it takes to the dye quickly. Once it reaches the desired saturation, it is removed, rinsed and placed in the sun to dry.

The wool is then aerated to separate and straighten the fibers so that when it is felted it binds together better. Once it is separated, it is then carded to get out any dirt or obvious flaws. At ACP they have a machine that helps with this since they are often making a lot of felt in one color for one product.

Once that is complete, the felting may begin. Generally speaking, this is where the magic happens. Felting occurs when water and soap is mixed with the wool, then agitated so the fibers are compressed and bound to one another. In the image below, an artisan has completed that process and is tightly rolling the felt to flatten it in to one large surface.

Then, it will be rinsed to remove excess soap and hung out to dry in the sun, where it will harden in to a smooth yet pliable textile.

Once it is dry, the felt is then ready to be cut and used to make any product designed.

This little window of time between Christmas and New Year’s Eve always provides an opportunity to look back and think forward.

Two years ago I was curled up with this same blanket on this same couch. I was very sick and very sad. And, very convinced that life as I knew it would never be the same again. Having just returned from South Asia, my body was revolting against something foreign and my emotions were still trying to process what I’d observed in the previous four months researching human trafficking in the developing world—the issue and solutions. I had no idea what lay ahead of me.

2011 turned out to be a year of recovery and rebuilding. It was long and difficult, particularly the emotional aspect. I think I’m still a pretty changed person. I learned that healing is sometimes slow and patience is necessary. I learned that we really need each other, especially in times of crisis. I learned that we never, ever know what lies around the bend. And, that there is purpose, always purpose in pain. I think that’s called redemption and sometimes you can’t see it until you look backwards.

Towards the end of 2011, I was able to look back and see steady uphill healing. I was able to say, yes, things are getting better! And, my friend Annalisa and I began having very intentional conversations about a potential business idea. My heart stirred again and recognized feelings like hope and excitement.

In May 2012, Annalisa and I were on a plane to Nepal. This was happening. We were starting a business!

I can’t describe what I felt when we touched down in Kathmandu. There was this great sense of a journey coming full-circle to begin another journey. God knew I needed that. I could never have imagined that I would be returning to Nepal to start a business with a friend of mine. Now, it’s the end of December, and we’ve launched GIVEGIVE | MULXIPLY with great feedback and hosts of ideas for growth and continued partnerships with organizations such asAssociated Craft Producers of Nepal. And that too is redemption.

It is hard to comprehend why hard things happen. Working in the developing world is a constant reminder of the tremendous need for each of us to stand shoulder-to-shoulder in the face of suffering and injustice, which is rampant and permissible in places like Nepal, particularly involving women and children. My friend and now, business partner Annalisa, is part of my redemption story in this crazy 2+ year journey. We stand shoulder-to-shoulder with the women at ACP in Nepal in preventing poverty. We are part of each other’s redemption story. And you are part of ours. All of your support as we launched GIVEGIVE is part of this bigger story. It’s beautiful isn’t it?

I can see that now—looking back. And so it’s with total confidence that I can face 2013 and say, “The best is yet to come!”

Happy New Year.

the best is yet to come

It is hard to describe the feelings I (Annalisa) have been experiencing over the last week. They’re somewhere on the continuum between excitement and anxiety. While I knew we were ready to come to Nepal to begin the execution phase of this incredible journey, I don’t think I was mentally prepared for arriving here. Truthfully, I don’t think that anyone from the US can really be prepared for seeing Kathmandu for the first time.

Tanja called her blog Beauty Lost & Found. It’s an apt title – and I was thinking about exactly that as we drove from the airport to our hotel. There is beauty here; the women’s faces and saris, the beautiful fruits and vegetables being sold at the roadside, the old brick buildings with their detailed ornamentation work and carved wooden doors, the temples, the colors of marigold and pink and orange that you see amidst the haze that settles in the valley.

But as we drove through the streets (an adventure in itself – think of a giant game of chicken between cars, motorbikes, rickshaws, buses & trucks, pedestrians and stray dogs), we saw trash everywhere, homeless children, a river polluted with raw sewage, people scrabbling out a basic existence by selling food in the hot sun… and more. Down-river, there was smoke. “That’s where they burn the bodies,” Tanja said. We drove on.  We arrived at our hotel perhaps 20 minutes after leaving the airport. All that, in 20 minutes. I fought to hold back tears then, and we were only at the beginning, and watching from a distance, so to speak.

It is exactly this which confirms that we are supposed to begin here, and begin now. This is where we can do something. This is where we can serve.  We don’t really know what awaits us tomorrow, when we meet with the first of the co-ops, but we are hopeful, and hope is needed here. It truly is.



I can hardly believe that it’s been almost two years since I left on a journey to the other side of the world that profoundly changed my life. So very much has happened in the last 2 years, all of it (with much grace) has somehow propelled me to this very place.

And so, it’s with great, great joy that I ready myself and my luggage to return to Nepal in just a few days. I am equally thrilled to be returning with my friend, partner-in-crime and co-founder of GIVEGIVE, Annalisa Oswald. It is quite literally, a dream come true.

I just re-read a couple of the posts from my blog/journal of that trip (Beauty* Lost and Found), particularly the posts about Nepal. I was reminded afresh of the raw beauty of that country. The mountains, the people, the community. It’s so different than my western life here. In some ways shocking, in some ways a total relief.

We are really excited about what lies ahead— even more so because of the gift of retrospect, the ability to look back, the ability to see purpose in the often rocky, messy journey that brings you to the place where you can finally see part of why things happen the way they do. My heart is grateful for that.

Here’s a sneak peak of what we will be sharing with you in a few days when we are on the ground. See you soon Nepal!

Nepal | Places:
Nepal | Faces: